
Similarly, the film's poke at Audrey's "funny face" is also tongue-in-cheek. Her thick eyebrows went against the stereotypes of the day. While we remember her as a classic beauty today the movie industry in her era was dominated by more buxom beauties (such as Lana Turner or Kim Novak); famously Capote didn't want such a skinny actress for the movie adaptation of his book Breakfast at Tiffany's. I wish the film highlighted more the importance of collaboration between stars and designers. Such as the collaboration Hepburn shared with Givenchy, who designed her wardrobe in Funny Face and other films. She even modeled collections for him. But there are nods to these collaborations, as well as how she inspired Richard Avedon (one of the first photos Astaire takes of Audrey in the film is a nod to Avedon's famous overexposed close-up) sprinkled throughout the movie.
So while the film might not feature the most clever lyrics and an entirely too predictable plot, there's a lot being said about fashion and the industry just below that bubble gum pink surface. It's definitely a must-see for fashion buffs who will pick on the references and anyone who enjoys a good muscial.















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